Examines problematic stereotypes and prejudices in the media regarding ethnicity, race, or gender, also touching on the many laws to discourage discriminatory behavior.

Candid testimony and stunning photographs by the combat photographers who go into battle armed only with a camera to show warfare as it is and where it is. Includes incidents of horror, humor, bravery, and daring in locations from Vietnam to Haiti, Ramallah to Chechnya, El Salvador to Sarajevo, the World Trade Center to Afghanistan.

Comprehensive analysis of media coverage of the war in Iraq in 2003, including a broad range of interviews with journalists (both embedded and non-embedded), news editors, news heads, and with key planners at the Pentagon and the UK Ministry of Defense. In future, the authors argue, journalists need to understand their role in this public relations effort, and to ask questions not only when access is denied, but also when it is granted.

What compels us to look at shocking photographs or, alternatively, to look away? Should the media use disturbing images to inform, at the risk of offending? How is our sense of politics, morality, and culture affected when we are exposed to gruesome images of accidents and disasters, murder and execution, grief and death? A documentary of photography's cultural and political power, Body Horror analyzes the moral responsibility attached to publishing and bearing witness to photographs of violence, and the historical amnesia that arises when such imagery remains unseen.

97 tritone photographs, including two gatefolds

Catalogue of Fenton's war photography exhibition at the Hayward Gallery, 1988

Award-winning documentary about iconic war photographer James Nachtwey which addresses the broader scope surrounding war journalism, and the issues these journalists cover.